10 patterns · 37 colour treatments
The Akarsu collection presents ten marquetry parquet patterns named after ancient Anatolian cities in a comparable product system for architects, distributors and project buyers.
Pattern collection
Bergama, Efes, İznik, Kapadokya, Milet, Pamukkale, Perge, Side, Truva and Zeugma each establish a different line, repeat and wood distribution. Product pages show available imagery, variants and verified panel dimensions for every design.
Selection scope
The same geometry can gain a different contrast through oak, walnut, teak or birch and through brushed, smoked, metallic-effect or smooth treatments. Define pattern, panel scale, wood distribution and surface direction together for a quotation.
Pattern brief
Turn visual preference into a manufacturable product decision by placing these inputs in the same brief.
Share preferred designs, approximate area, project country and wood or surface direction.
Request a pattern quotationPattern selection guide
When marquetry parquet designs are compared only as catalogue images, the repeat created by the panel across a room can be missed. Read geometry, panel scale, wood contrast and surface as one decision.
Closely spaced lines and small components create more visual movement, while broader geometric fields can read more quietly. Neither is inherently better. The choice should be tested against furniture placement, visible floor area and the principal viewing axis.
A single panel image explains the construction of a design; its repeat on the plan determines the rhythm of the complete floor. Use the verified dimensions on each product page rather than assuming that all Akarsu patterns share one format.
Oak, walnut, teak and birch do not carry the same colour or grain character. Their distribution changes which lines of the geometry come forward. Treat the wood name as part of the pattern composition, not merely as a colour label.
The 37 colour treatments are not interchangeable with brushed, smoked, metallic-effect and smooth surface choices. State colour direction and surface effect as separate headings so that different quotations describe the same intended product.
Dimensions, patterns and wood combinations outside the collection are evaluated to order. This is not automatic acceptance, unlimited motif production, or a claim that Versailles panels, medallions, borders or logos are standard Akarsu products. Share the drawing and product boundary before quotation.
